Wednesday 31 July 2024

Your Nostalgia is killing me - John Weir

 Read John Weir's short fiction collection, - linked stories, as it were , Your Nostalgia is killing me'.

The book at times had me so emotional, and at other times was bit of a drag. But strength of the powerful parts were good enough make the whole book a worthwhile read.

The parts on our protagonist and narrator's adolescence, where he experiences the continued bullying by fellow students is heart wrecking. 

"'I have nothing to give except myself and that doesn't seem to be enough.'

The guy who wrote the play, Tad Mosel, is gay, but I don't know this. He wrote Impromptu for his Yale classmates in 1949.

I still don't know anybody gay. Nobody openly gay, no one who identifies as gay. There is no such thing as 'identifying as gay'. I don't even know anyone who's been accused of being gay. You can only be accused of being gay and deny it. Nobody is gay. I don't even know if I'm guy.
" (from "It gets worse")

The descriptions of how him being different - in his walking, possibly talking etc., and how he had no one to turn to, in his painful discovery of himself, 40 years back, would give you a clear understanding why a bully shouldn't be tolerated. There are couple of stories  of our narrator's school life (e.g. American Graffiti, It gets worse).

"I'm the high school homo. The boy who acts like a girl. I'm called a faggot every day. It starts in the morning when the school bus comes down Route 513, and the kids from Califon are already leaning out the windows two hundred yards away and screaming, 'Faggot!' At school, I'm pushed against lockers and punched in hallways and called a faggot on my way from one class to the next. When I get off the school bus at night, kids lean out the windows and scream, 'Faggot!' as the bus disappears out of sight" ( from "American Graffiti")

The second set of stories that I enjoyed were the ones which describe the last days of his friend, who died at the age of 38, from AIDS (e.g. Neorealism at the Infiniplex, Scenes from a marriage, It must be swell to be laying out dead, political funerals ).

"When Dave told me he had AIDS, the day we met, I liked him more. Creepy Fetish, dying men. Except it was 1989 in NYC, and the chance of meeting someone who didn't have AIDS, in that place and time - forgive the word - slim. And I hadn't kept anyone else alive, Maybe Dave. If he had five years, surely there'd be a cure..."


There was a time in the 80s, and the 90s, when a large section of the gay community, especially in New York, died of AIDS, since there was no medication to cure it, or control it. I was reminded of the lyrics of the Pet Shop Boys song, 'being boring' which refers to these many deaths.

Now I sit with different facesIn rented rooms and foreign placesAll the people I was kissingSome are here and some are missingIn the nineteen-ninetiesI never dreamt that I would get to beThe creature that I always meant to beBut I thought in spite of dreamsYou'd be sitting somewhere here with me

There had been political protests due to the inaction  by the government towards research for a cure,  and we see our narrator playing an active role in some of these protests."Release the drugs; AIDS won't wait", was one of the slogans.

The rest of the stories were on his post-Dave experiences, him spending his money to buy medicine for his AIDS infected close lovers (with no sex) etc. While these stories had there moments, they didn't come to the level of the first two categories of stories.

The short stories are all very well written, and most of them keep you engrossed, and revealing to you a period of the world's recent past, in which many suffered as a result of the essential human nature, that of being different, the necessity to love and of sex.

Highly recommended for lovers of modern English Fiction.

Rating: ****


Monday 22 July 2024

The Promise - Damon Galgut

Damon Galgut is the third South African, and 'The Promise' is the fourth book written by a South Africanto win the Booker award. Of the four books, I am yet to read 'The Conservationist' by Nadine Gordimer.

I couldn't help, but see some similarities between Coetzee's Disgrace, and this book, based on their themes, broadly.  In 'Disgrace' the said disgrace could be traced to two sets of incidents - the protagonist's manipulations and seductions which bring him disgrace, as well as his inability to look after his own daughter, in a climate of changing political power in the country. It is a time of disgraces for those who held an unfair hand at power. Galgut too uses the term 'promise' to mean two things. A personal promise made by the husband to a dying woman's plea, which their youngest daughter overhear. A promise that is not kept for over thirty years, and then when met, its value irrelevant. A promise not kept, in other words. It also suggests the dampened promise in a post apartheid South Africa. For the potential for good things is slow to materialize.  The lives of those who have been at an advantage hitherto are threatened, and after a long period of being discriminated against the discriminated races too are yet to find a firmer footing. They are bitter at the people around them, and those who held power before them. It is clear that Anton lived in portal fear in his own farm, and his ownership and power, was dated and threatened.

The book as a whole discusses the fall  of the Swart family. But Galgut uses this average family to signify something much larger - of a promise coming undone. It signifies the fall of the power of the white South African family, and the country that the Black South African take over is ridden with corruption, challenges with infrastructure etc. The promise of a new day is bleak, although however bleak, nothing is permanent - not even the bad times.

Overall it is an excellent read, and Galgut's rather improvised narrator's tone, that of an omnivisible - the narrator for a small time can even see those who have passed - is clearly worthy of the global recognition that the book has achieved.

Rating: ****
Man Booker Award 2021
(photo credits: https://www.takeawayscripts.com)

Saturday 13 July 2024

ගිරිජා - මනෝහරී ජයලත්

 මනෝහරී ජයලත් ගේ ගිරිජා නම් වූ නවකතාව කියවුවෙමි. මෙය මා කතුවරියගේ කිය වූ පළමු ප්‍රබන්ධයයි.


මේ නවකතාව මා වඩාත් සිත් ගත්තේ, උක්ත කාලයට උචිත යැයි අපගේ සිමීත දැනුම අනුව අප ට සිතෙන, පිළිගත හැකි දෙබස් හා ජීවන පිළිවෙඅතකින් ය පෝෂණය වී තිබීම හේතුවෙනි. 1848 ආසන්නයේ යයි සිතිය හැකි කාල පරාසයක, සමස්ත ලෙස බාහිර ආක්‍රමණියෙකුගේ ක්‍රියාවන් ට එදිරිව වඩා ප්‍රඥ්ඥා ගෝචර ව සාමාන්‍ය රට වැසියන් ලෙස ක්‍රියා කල යුතුව තිබුනේ එසේ ද යන්න ට පාඩමක් ලෙස ගිරිජා ගේ ක්‍රියා කලාපය පෙන්වා දිය හැකිය. එහි ම මෙම නවකතාවේ තරමක අවිශ්වාසනියත්වයක් ද අයෙකුට පෙනීමට ඉඩ ඇත. නිදසුන් ලෙස පටු චින්තනයක වෙලී සිටි සුන්දරා ගිරිජා ට මෙහි කියැවෙන ලෙස එහෙ මෙහේ ගමනට නිදහසක් දෙයි ද, යන්න විවාදිතය. එලෙසම ගිරිජා ට එතරම් දූර දෘෂ්ඨියක් කෙසේ ලැබෙන්නේ ද යන්න අයෙකුට ප්‍රශ්ණ කල හැකි මුත්, එවන් බුද්ධිමත් භාවයක් තිබීම ප්‍රශ්ණ කල හැක්කක් නොවෙන හෙයින්, එම චරිතය සමස්ත ලෙස සාර්ථකය. ඒ අනුව ගිරිජා යන චරිතය වඩාත් ඉදිරිය පෙනෙන ප්‍රගතශීලි කාන්තා චරිතයක් පමණක් නොව, තරමක වීරත්වයකින් ද හෙබිව ලේඛිකාව ගොඩ නංවා ඇත. ඇය ක්‍රියා කරන පරිසරය, භාෂාව ආදිය භාවිතයෙන්, සමස්ත රචනයට ආකර්ශනයක් ගෙන ඒමට ලේඛිකාව සමත්ව ඇත. එම ආකර්ශනය හමුවේ අයෙකුට පෙර කී අවිශ්වාසනීය අවස්ථාවන් එතරම් තැකීමක් නොකිරීමේ රිසියක් ජනිත වන්නා සේය. එය ලේඛිකාව ගේ ශුරත්වයක් සහ නිර්මාණයේ සාර්ථකත්වයක් හේතුවෙන් යැයි කිව හැක.

සිංහල නවකතා කියවීමට රිසි පාඨකයාට, සහ ඓතිහාසික නවකතාවට ලොල් පාඨකයන් හට නිර්දේශ කරලීමට නොපැකිලෙමි.

ශ්‍රේණිය: ****
ප්‍රකාශනය: විදර්ශන (2022)
2022 ප්‍රකාශිත නවකතා කියවීම - 3

Wednesday 10 July 2024

Reflections upon the character of Daniel Plainview (in 'There will be Blood')

 



Someone said:
"You Live Most of Your Life Inside of Your Head. Make Sure it is a Nice Place to be."

But what if 'a nice place' isn't your favourite mind frame ? What if winning in each occasion, however trivial, is how you feel good about it - irrespective of how you get there? I got to thinking on these lines upon watching Daniel Day-Lewis' stellar performance as Daniel Plainview, in 'There will be Blood'. Some of the dialogues in the movie, and how certain incidents are deep etched in Daniel's mind, only to score victories against his purported perpetrators when the occasion arises, goes on to prove that his whole life until he finally says 'I'm done' is about winning each little battle against all those who crossed his path. None are spared - The man who posed as his half-brother Henry, Eli Sunday, and even his 'son' P.W.


At a time when he believes that Henry was his half brother, and he confesses thus:



Daniel Plainview: Are you an angry man, Henry?
Henry: About what?
Daniel Plainview: Are you envious? D'you get envious?
Henry: I don't think so. No.
Daniel Plainview: I have a competition in me. I want no one else to succeed. I hate most people.










Eli puts on his convincing act of driving evil out, but in the process taking revenge for the beating he got from Daniel through ridicule:



 Daniel Plainview: [mumbles] Abandoned my child.
 Eli Sunday: Say it louder... say it louder!
 Daniel Plainview: I've abandoned my child! I've abandoned my child! I've abandoned my boy!
 Eli Sunday: Now beg for the blood!
 Daniel Plainview: [sotto voce] Please, give me the blood, Eli. Let me get out of here.
 Daniel Plainview: [aloud] Give me the blood, Lord, and let me get away!



 

 

 

Many years later when Eli returns to his now, relation, upon falling upon hard times, Daniel breaks Eli, thus:

Daniel Plainview: But there is one condition for this work.
Eli Sunday: All right.
Daniel Plainview: I'd like you to tell me that you are a false prophet.Daniel Plainview: I'd like you to tell me that you are, and have been a false prophet.Daniel Plainview: And that God is a superstition.Eli Sunday: But that's a lie.
Eli Sunday: It's a lie. I cannot say it.[grinning]
Eli Sunday: -When can we begin to drill?
Daniel Plainview: -Very soon.
Eli Sunday: How long will it take to bring in the well?
Daniel Plainview: It shouldn't take long.
Eli Sunday: I would like a $100,000 signing bonus, plus the five that is owed to me with interest.
Daniel Plainview: That's only fair.
Eli Sunday: I am a false prophet, and God is a superstition.
Eli Sunday: If that's what you believe, then I will say it.
Daniel Plainview: -Say it like you mean it.
Eli Sunday: -Daniel.
Daniel Plainview: Say it like it's your sermon.
Daniel Plainview: Don't smile.
Eli Sunday: I am a false prophet. -God is a superstition.
Daniel Plainview: -Why don't you stand up? Put your glass down.
Eli Sunday: I am a false prophet. God is a superstition.
Daniel Plainview: -Eli, stop. Just imagine this is your church here and you have a full congregation, so...
Eli Sunday: I am a false prophet. God is a superstition

 In essence it was not money which drove Daniel Plainview throughout his life, but little victories and personal battles, which in essence must've made his head a very bitter place. But just maybe, bitter is a taste that some people enjoy as their normal mind frame.

 


Tuesday 2 July 2024

Time Shelter - Georgi Gospodinov

 ( Booker International Award 2023)

A healthy - or is it really unhealthy ?- mix of living in the past, being made to live in the past, and having no option but  to live in the past, comes out collectively as an interesting novel. This narration starts off as a measure of compassion and caring, as those with Alzheimer's are offered a place to belong as their lights dim down, as they creep further and further into the caves of their yester  years.


"...for us the past is the past, and even when we step into it, we know that the exit to the present is open, we can come back with ease. For those who have lost their memories, this door has slammed shut once and for all. For them, the present is a foreign country, while the past is their homeland. The only thing we can do is create a space that is in sync with their internal time."

"I don't know how therapeutic that is, who knows whether it will help regenerate neural synapses. But it gives happiness, to a memory of happiness, to be more precise. We assume that the memory of happiness is a happy memory, but who knows?"

Ambitious as its plot may sound, reading little anecdotes from this reminiscence therapy, or insights that startle you -giving you those "wow, there's a thought" moments, that  spread across the first part, was  quite a treat. To me this was the best part of the novel. Some parts, like the one on Euthanasia is quite amazing - for it suggests the careful treading of the language across an interpretation, but still manages to - almost - trip itself.

“Euthanasia is a death caused for the benefit of the person whose death is being caused.” Now, there’s the awkwardness of language, which must justify the act and so it spasms, twists, biting its own tail in the end. I’m killing you for your own good, you’ll see (how could you not?) that it’ll be better for you and the pain will be gone."

But come the second part of the novel, it takes a twist, which I as a reader found a little irksome to read. It was when the nostalgia for a nation's purported best periods of their recent past. Clearly it was influenced by Brexit, where the majority of Britain's aging population wanted their Britishness back. It was also the time of one Mr. Donald Trump, as the populism of 2016 saw him becoming the president of the USA. The part about the referendums held by each nation to select which period they should go back to was interesting, and a student of recent European history is sure to find more to enjoy here.

The book winds up, with the lights becoming dimmer and dimmer for our narrator, and his main character.. or was it himself ?

In summary it is a different book. It attempts to be multiple things. About our pasts, why we can't leave them, why countries find it difficult to leave them, and why harping on their past is more damaging to countries than for individuals. The structure of the novel, the experimental narration that it attempts is quite awe inspiring. It may not be at its most readable across the book, for any given reader, for it treads across a vast area, plus the jumps are big - but I for one believe that a reader who wants to discover new terrain through her reading, should persevere through the delightful, and the not so delightful, and the challenging ( e.g. why I keep telling myself that I must reattempt Moby disk and Ulysses one if there days).

The persevering, and the patient reader will reap rewards for sticking with this book to its completion.

Rating: ****
Translated from the Bulgarian by Angela Rodel